The vessel is of a classic piriform, or pear-shaped, profile, rising from a short, plain circular foot. The generous, globular body tapers gracefully to a slender neck, which is articulated by a single raised annular knop before flaring into a wide, trumpet-form mouth with a simple, unadorned rim. The entire surface of the vase, excluding the foot and the interior of the mouth, is extensively worked with intricate hand-chased and engraved decoration.

The decorative scheme is meticulously organised. The main body is divided into a series of vertical, ogival (pointed arch) cartouches that frame individual figural scenes. The principal visible scene depicts a seated figure, likely female given the attire and soft features, wearing a head covering and traditional robes. The figure is shown in profile, leaning over a large woven basket or a bundle of produce. The rendering of the figure is stylised, typical of the narrative scenes found in later Persian arts. Other panels appear to contain similar figural compositions, suggesting a series of vignettes from rural life or classical Persian literature.

The fields between and above these cartouches, as well as the neck, are densely filled with traditional scrolling foliate and floral motifs, known as islimi. This delicate tracery is set against a finely stippled or punched background, which creates a contrasting texture and causes the polished surfaces of the design to catch the light. A dark, blackish compound has been worked into the recessed lines and background of the decoration, a technique that emulates the effect of more costly niello and serves to throw the copper-hued relief into sharp, dramatic focus.