This is a finely cast and patinated bronze figural group, depicting a young scholar or immortal seated serenely upon the back of a striding water buffalo. The composition is harmonious and captures a sense of tranquil movement, a theme deeply revered in Chinese art and philosophy.

The scholar is rendered in a relaxed, cross-legged posture, turned slightly to his left. His hair is meticulously arranged in a high topknot, characteristic of scholarly or divine figures. His facial features, though stylised, are rendered with a calm and contemplative expression. In his right hand, he holds a rectangular object, likely a book or a bamboo tablet, symbolising his learning and wisdom. He is attired in voluminous robes with well-defined, cascading folds that convey a sense of gentle motion. Slung across his back is a wide-brimmed hat, likely a dǒulì, suggesting a journey or a life lived in harmony with nature.

The water buffalo is modelled with a compelling naturalism, its powerful musculature and skeletal structure subtly indicated beneath its hide. The animal is depicted mid-stride, with its head extended forward and slightly lowered. The head is particularly well-detailed, with expressive, inlaid or separately cast eyes, flared nostrils, and robust, textured horns that curve back towards its powerful neck. A simple harness is depicted around its neck and back, serving as a subtle anchor for the rider. The beast’s tail is shown flicking naturally against its hind leg, further enhancing the illusion of life and movement.

The entire group exhibits a deep, rich brownish-black patina, the result of intentional finishing and decades of natural oxidation. This dark, lustrous surface is beautifully complemented by areas of naturally occurring green and blue-green copper sulphates (verdigris), particularly visible in the recesses of the scholar’s robes and the crevices of the buffalo’s harness. This variegated patination adds significant depth, texture, and a tangible sense of age to the piece.